Helen Yung is an artist, researcher and cultural consultant.
She makes Marginalia – a reflective practice of commentary, connection, creativity and criticality – designing responsive interactions, installations (environments) and interventions rooted in the margins of situations. She blogs at marginalia.ca.
Her work has been commissioned, produced, presented and supported through grants and residencies by organizations at home and abroad, including: Performance Space (Australia), Harbourfront Centre, Dreamwalker Dance Company, The Independent Aunties, the red light district, Open Heart Surgery (UK), Espacio Camargo (Argentina), Alimentary Initiatives, Toronto Dance Community Love-In, Shakespeare at Play, Theatre Direct, the Culture Days National Congress, Critical Path Choreographic Research Centre (Australia), Oboro (Montreal), Festival Accès Asie (Montreal), Centre d’art Marnay Art Centre/CAMAC (France), Gladstone Hotel, Dasein Dance, Puppetmongers Theatre, Le Fondation Tenot (France), L’Institut international de la marionette (France), Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, among others.
Helen is artist-researcher with the Culture of Cities Centre and a Board Director of the Centre for Social Innovation. Helen has played an active role in many consultations, multi-stakeholder committees and lab/incubator initiatives convened around research, knowledge mobilization, city, arts and culture, advocacy, and community organizing. She has helped develop an Evaluation Strategy for the nonprofit sector as an advisory committee member with the Ontario Nonprofit Network. She was previously Board President for hub14, a 100% self-sustaining artist-run space for art and performance. She is currently working with multi-sectoral partners to creatively challenge and transform the settlement process for newcomers to Canada.
Helen has given talks and spoken on panels at conferences convened by the Canadian Race Relations Foundation (2016), International Association for the Study of the Culture of Cities (2016, 2014 & 2013), American Comparative Literature Association (2013), Ontario Museums Association (2010), Magnetic North Theatre Festival (2010), University of Toronto’s Teaching & Learning Outside The Classroom Initiative (2008), and University of Toronto’s Graduate Centre for Drama (2006). Helen’s discussion paper on ‘multidisciplinarity in the arts in Canada‘ was commissioned by the network of Canadian Public Arts Funders (CPAF) in 2015, available from the CPAF website here. Helen has also published with the Canadian Centre for Policy Alternatives (CCPA), Cultural Pluralism in the Arts Movement Ontario (CPAMO), The Dance Current, and Ricepaper Magazine.
Her consulting client list includes: Toronto Arts Foundation, Metcalf Foundation, Canadian Public Arts Funders, Ontario Public Health Association, Canada Council for the Arts, Culture Days (national office), Canadian Arts Coalition, Canadian Dance Assembly, CPAMO, Professional Association of Canadian Theatres (PACT), Pixel Gallery, FITC Design & Technology Festivals and others.
Lately she’s been moonlighting as if she works in fashion: @allthefux