Helen Yung is an artist, researcher and cultural consultant.
She makes Marginalia – a reflective practice of commentary, connection, creativity and criticality – designing responsive interactions, installations (environments) and interventions rooted in the margins of situations. She blogs at marginalia.ca.
Her work has been commissioned, produced, presented and supported through grants and residencies by organizations at home and abroad, including:Performance Space (Australia), Harbourfront Centre, Dreamwalker Dance Company, The Independent Aunties, the red light district, Open Heart Surgery (UK), Espacio Camargo (Argentina), Alimentary Initiatives, Toronto Dance Community Love-In, Shakespeare at Play, Theatre Direct, the Culture Days National Congress, Critical Path Choreographic Research Centre (Australia), Oboro (Montreal), Festival Accès Asie (Montreal), Centre d’art Marnay Art Centre/CAMAC (France), Gladstone Hotel, Dasein Dance, Puppetmongers Theatre, Le Fondation Tenot (France), L’Institut international de la marionette (France), Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, among others.
Helen is artist-researcher with the Culture of Cities Centre and a Board Director of the new Social Innovation Institute (a charity at arms-length from the Centre for Social Innovation). She is also engaged as an advisory committee member for the sector-wide Evaluation Strategy led by the Ontario Nonprofit Network. Helen has played an active role in many consultations, multi-stakeholder committees and lab/incubator initiatives convened around research, knowledge mobilization, city, arts and culture, advocacy, and community organizing. She was previously Board President for hub14, a 100% self-sustaining artist-run space for art and performance. She is currently working with multi-sectoral partners on a creative approach to generating decent work opportunities for newcomers.
Helen has given talks and spoken on panels at conferences convened by the Canadian Race Relations Foundation (2016), International Association for the Study of the Culture of Cities (2016, 2014 & 2013), American Comparative Literature Association (2013), Ontario Museums Association (2010), Magnetic North Theatre Festival (2010), University of Toronto’s Teaching & Learning Outside The Classroom Initiative (2008), and University of Toronto’s Graduate Centre for Drama (2006). Helen’s discussion paper on ‘multidisciplinarity in the arts in Canada‘ was commissioned by the network of Canadian Public Arts Funders (CPAF) in 2015, available from the CPAF website here. Helen has also published with the Canadian Centre for Policy Alternatives (CCPA), Cultural Pluralism in the Arts Movement Ontario (CPAMO), The Dance Current, and Ricepaper Magazine.